Created as part of the first Homegrown Music Video Festival in Duluth. Participants drew a band / song out of a hat, then had the weekend to make the video.

Every Saturday before dawn, David McGee loads his cello on to his bike and rides to the downtown Minneapolis Farmers Market. David and his cello have put smiles on the faces of Twin Cities music lovers for over 10 years.

The most spectacular sight recently in a city known for fashion is Borgi [bor-zhee], whose humor, clarion voice, poetic turn of phrase and theatrical sense of self-presentation are the center of attention on the street corner where he hawks produce, directly across the street from a competing store.

Pete’s Palace is a “hero story”; One man’s journey into the heart of the frigid Minnesota winters. In spite his hatred for the below zero temps, Pete Swenson decides to embrace winter and spend six weeks in the frigid cold building an ice “palace” in his backyard. For a party. For one night.

A kinetic-art gadget video I made during the summer of 2008 and filmed in my studio.

I Feel Tight puts to animation a song from the Electric Art Radio musical, “Don’t Crush Our Hearts.” The duo Moon Island pine to escape form the tiny town where they live and move to a place that can recognize and stimulate their creativity.

An unsuspecting young mans shopping routine just got a little sweeter thanks to a pursuing employee.

His teeth were too long for him to be kind.

A glimpse in the life of freak feature based creatures.

A short journey thru an imaginary undersea world, populated by strange microbial creatures. Images are animated details of Jim Grafsgaard's Geo-Expressionist oil paintings. Music is composed and performed by P.J. Tracy, with sampled and digitally created sounds including a variety of world instruments.

Swinging singles head underground where their secret desires are captured on tape in this mysterious featurette filmed partially on Fisher Price’s 1980s era Pixel-Cam toy.

As a young woman, Chante Wolf joined the military to have a chance at getting a higher education. While completing basic training, she endured and learned about systems that use sexual abuse as a means of control within the U.S. armed forces. After many years of healing and reflection, she now works to create a conversational space where people can talk about the power structures within the U.S. military.

Hope, monstrous to the powers that exert control, monstrous to those who harbor it. Those who harbor hope are marked, set apart, sacrificed on the altar of their ideals. But monsters, if we look at things in an evolutionary sense, are the irritant agents of change.